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In the context of constant fear and instability in the global market, we have lost ourselves to the culture of materialist emptiness. This culture is especially prevalent in the City of London, the hub of banking and the corporate nine-to-five. Dealing with instability every hour, people of the City search for reassurance, a safety net to console them.
This project proposes to fill that gap by creating a feeling of a personal connection with the universe. To achieve this, the building’s programme features libraries for the City’s workers to explore the universe through the study of astronomy or astrology, which have always historically been intertwined, especially in architectural environments. The project examines the relationship of the coexistence of oppositions and questions the boundaries between the two.
Rudolf Steiner believed that architecture can provide the opportunity for one to experience the spiritual through the form it takes. This project’s ambition is to seek the expression of this notion in the modern era through the tools of ornament.
The key image is a symbolic illustration of the building’s relationship between both mechanical and mystical parts of the programme. The building becomes a calibration tool for the universe around it.
The similarity and disparity in the topics of library space are reflected in the plan as the spaces bleed onto each other between walls and levels. The thick Portland stone walls shape the spaces to provide unique experiences.
Description (maximum 250 characters): The drawing of the 2nd Floor Plan explains orientation of specific spaces in regards to the programmatically meaningful astral phenomena visible in the London sky.
The 1:100 Section cuts through the Astronomer’s and Astrologer’s Libraries as well as common and living spaces. The evening sun reaches through the stained glass windows creating a spiritual atmosphere through the impact of colours.
External night views of the building showcase its verticality and the immediate visual language of the astral.