The project was designed using 3D scanning in unconventional ways, iterating the design based on voids and glitches in the scans. It reassesses the fleeting images and objects of everyday life. The indeterminate elements captured in the scans integrate the designer's authorship with the hyper-precise scanner.

This approach synthesises perception, memory, and time, proposing a novel architectural conservation technique in response to consultations between the residents of Waltham Abbey and the council about the area's refurbishment.

Scanned scenes of varying resolution are interwoven within the project, encoding and representing a dialogue between the period-specific elements of Waltham Abbey and the physical space. This creates an invisible conservation and establishes a dialogue of post-human perception.