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The rich shipbuilding history of Deptford Creek in London has long been forgotten.
The Mnemonic Museum of Shipbuilding acts as a mnemo-technique for the construction of a collective memory of Deptford’s shipbuilding history. The project addresses the significant number of artefacts stored in museums by exhibiting those hidden in boxes of the Greenwich National Maritime Museum.
The building revolves around the character of Mary Lacy (1740-1795), a carpenter and shipwright aboard HMS Sandwich. It is divided into a chronological succession of galleries representative of Deptford’s shipbuilding industry from the 16th to the 21st century, achieved through varying lighting conditions and architectural details, and a private residence for Mary Lacy. The latter is designed as an artefact of the museum and is representative of a carpenter’s living conditions on an 18th century ship. Mary Lacy is the museum’s carpenter and crafts a new apparatus every high tide. This resonates with Henri Bergson’s theories of memory as visitors gradually build a collective memory of Deptford’s shipbuilding history by revisiting the museum and encountering new exhibited pieces.
Mary Lacy takes a break from cooking to look over the museum’s entrance. All apparatuses have been constructed; visible are those of 16th and 20th century galleries. She has also built a 1:20 model of the creek’s lifting bridge.
Mary Lacy peers into the 18th century gallery and a visitor looks into her bedroom. This gallery is starting to get populated, although is still empty. Another apparatus will be ready in two weeks on the next high tide.
06:30, May.
High spring tide (4m).
Models constructed throughout the year in chronological order from left to right. Stone sculpture by Deptford-based artist Richard Lawrence.
Mary Lacy looks into the 21st century gallery and a visitor looks into her living cabin. It is week 82 and almost all apparatuses have been built.